13 ICWP Plays Selected for 9th WPI Conference
The International Centre for Women Playwrights (ICWP) is proud to announce that 14 member playwrights have had plays selected for the 9th Women Playwrights International (WPI) Conference. The selected members include playwrights from the Turkey, Canada and the United States. The plays are:
Afgan Voices by Lia Gladstone (USA)
Aftermath by Sarah Cole (USA)
Cry After Midnight by Talia Pura (Canada)
Familium Vulgare by Melisa Tien (USA)
Girl Kicks Girl by Jyl Lynn Felman (USA)
Isaac, I am by Mary Steelsmith (USA)
Manhattan Transits by Donna Spector (USA)
Medine by Zeynep Kacar (Turkey)
Osama the Demented by Farzana Moon (USA)
Phoolan is Everyone by Angelina Llongueras (USA)
Remnants of a Liquid World by Bianca Bagatourian (USA)
Talking in Bed by Cornelia Hoogland (Canada)
Venus in Orange by Paula Cizmar and Laura Shamas (USA)
The complete list of selected plays can be found here.
The WPI Conference will be held in Stockholm, Sweden from the 15th to the 20th of August. The theme of this year’s conference is the democratic stage. The conference is held in a different city every three years and is organized by Women Playwrights International.
The International Centre for Women Playwrights was founded after the first WPI Conference held in Buffalo, New York in 1988. The organization has worked for the past 24 years to support women playwrights around the world. ICWP is a 501(c)3 non-profit organization incorporated in the United States. It currently has over 300 members in more than 20 countries. You can find our more about ICWP on the web at www.womenplaywrights.org or on Facebook at www.facebook.com/womenplaywrights.
Women as young as 17 are writing plays and winning awards. Do their male counterparts no longer have anything to say?
This week Anya Reiss's The Acid Test opens at the Royal Court. It will be fascinating to see whether she can match the success of her debut,Spur of the Moment, written when she was only 17 and lauded by the critics last year, when it also won an award. While, by now, Reiss must be sick of the constant references to her age – she is still only 19 – she must accept that in a line of work where the 40-year-old Simon Stephensis still referred to as a "young British playwright", to achieve such acclaim as a teenager is a remarkable thing...
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From Study report website:
"The results of the LA FPI Study have given us a figure which represents the percentage of work on stages in the Greater Los Angeles area written by women.
While slightly above the widely accepted national average of 17%, this figure is far from representative of the work that’s being created by Los Angeles playwrights."
Read the full study report here
In September 2009, I met with Jennie Webb and we decided to reach out to others to get data from L.A. about women playwrights, and to organize on behalf of women playwrights and female theater artists. We were very inspired by the push in New York in 2008/2009, and we kept waiting to hear Los Angeles numbers. We, as did many other L.A. women playwrights, soon realized that someone needed to organize to get some Southern California stats. In November 2009, Jennie and I approached theater artist Ella Martin, who is an actor/director/writer/scholar, and asked if she would help us with the L.A. data. Luckily for us, she agreed. We owe Ella Martin, our Study Director, a huge debt!
LA FPI had our first official meeting on March 6, 2010, at Theatricum Botanicum, in the middle of a very stormy L.A. downpour. But wonderful people made it out to Topanga Canyon that day, and the movement took off from there.
Ellen Geer made the first donation to the cause. Many talented playwrights, women and men, at that meeting donated enough money to get Survey Monkey going, so that Ella Martin could run a local survey of women playwrights. We began to have quarterly meetings to report our progress and solidify Calls to Action. We received key support from the Los Angeles STAGE Alliance and Larry Dean Harris of the Dramatists Guild.
Ella Martin compiled and coordinated all the results in early 2011. Her final report is phenomenal. Thank you to Ella Martin, the theaters who participated in the survey, the women playwrights who volunteered their data, and to all the folks who have supported LA FPI.
In the past year, many other people have joined up; we have an e-list of 150+. Volunteers are working on other LA FPI projects now, such as direct outreach to theaters, meetups to see shows by women, our terrific blog which features fantastic L.A. women playwrights each week (so inspiring!); even more L.A. gender parity data which is still forthcoming, and other positive calls to action. We, the collective of LA FPI, offer everything for free to anyone who's interested. Much of this is coordinated through the website and the terrific Jennie Webb. We celebrated the one year anniversary of our initiative by releasing the study results.
More Research Needed
Statistics on this issue need to be gathered from everywhere. Playwrights wrote to us from other major cities in California, asking us to please include their cities in our data, too (such as San Diego, Santa Barbara, and San Francisco). But we had to focus on Los Angeles County and Orange County. It would be wonderful if someone could get funding to 'count' in other places, too, in cities across the world. In New York, after percentages and counts were released related to gender parity and playwriting, there were more productions for women playwrights in the next theater seasons. Consciousness-raising works. We hope the same change will be true in Los Angeles. It is a very difficult time for all theater artists, and we want to support theater-makers. We love theater. We want to participate.
here is the link to the study report:http://lafpi.com/about/the-study/Laura Shamas
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